Fondation des États-Unis | Sunday, April 7 @5pm : Rendez-vous Musical #57
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couverture rendez vous musical 57

Sunday, April 7 @5pm : Rendez-vous Musical #57

The musicians in residence and Harriet Hale Woolley scholars are looking forward to seeing you in the Grand Salon on Sunday, April 28th for the next Rendez-vous Musical. After the concert, don’t miss the opportunity to take part of a tour of the Exposition : « Ethos » de Marcel Abadia et HB Reid lead by the artists themselves!

This informal concert series is an opportunity for them to present the pieces they are working on, and for the audience to (re)discover classical, contemporary and sometimes even new compositions in a warm and friendly atmosphere.

Free entry, join the Facebook event!
Next concert: Sunday, May 12

The Program

David Anderson (b. 1962), Kibbles & Kibitz
~ Andrew Briggs, violoncelle & Will McClain Cravy, double bass

Wolfgang Amadeus Mozart (1756-1791), Rondo en D majeur K.382
~  Thomaz Tavares Paes, flute

Alexandre Delgado (b. 1965), Panic Flirt – 1965- alive
~ Thomaz Tavares Paes, flute

Niccolò Paganini (1782-1840), Vingt-quatre Caprices pour violon solo, opus 1, No. 21 en la majeur (amoroso – presto) Arr. Cravy
~ Will McClain Cravy, double bass

Hans Fryba (1899-1986), Suite dans le style ancien,
II. Allemande
~ Will McClain Cravy, double bass

Ludwig van Beethoven (1770 -1827), Duo for Clarinet and Bassoon No. 2 in F major, WoO 27
~ Elias Rodriguez, clarinet & Andrew Briggs, cello

Jordan Nobles, Simulacrum for open instrumentation

The Musicians in Residence

Originally from Colorado, Andrew Briggs completed a master’s degree in cello performance at the prestigious Juilliard School. Open to all genres, he performs Baroque to contemporary style, and has had the opportunity to practice his talents internationally. Andrew has been a featured soloist at the Aspen Music Festival, the Amsterdam Cello Biennale, and the Holland Music Sessions; an Artist in Residence at the University of Wisconsin-Oshkosh; a member of Axiom Contemporary Ensemble, the Madison Bach Musicians, and the Colorado Symphony; and a guest artist at music series in Chicago, New York, and Paris. Andrew is a recipient of the 2018-2019 Harriet Hale Woolley Scholarship.

Clarinetist Elias Rodriguez made his national solo debut at the age of 16, after performing on a live broadcast of NPR’s « From the Top. » He has since appeared in international music festivals throughout the Americas and Europe, from the Grafenegg Festival in Austria to teaching masterclasses in Cali, Colombia. He is an alumnus of the New York based ensemble, «The Orchestra Now,» with which he has performed as a soloist on New York public radio, recorded a CD on Hyperion Records, and played a concert series at Carnegie Hall and Lincoln Center in New York City. Elias was awarded the Harriet Hale Woolley Scholarship and an artist residency at the Fondation Des États-Unis.

Thomaz Tavares Paes has been praised by the Virginia Gazette as having a “pure, direct sound, never wavering from the mission at hand and embracing the work’s lyrical and virtuoso demands.” A native New Yorker with Brazilian heritage, Thomaz Tavares completed his Bachelor’s degree in flute performance at the Indiana University Jacobs School of Music under the tutelage of Thomas Robertello and is currently pursuing his diploma of superior execution at the Ecole Normale de Musique de Paris under the tutelage of international soloist Jean Ferrandis.

William McClain Cravy graduated Summa Cum Laude from the University of Southern California where he was a student of David Allen Moore. Will is a member of the Santa Barbara Chamber Orchestra, and has performed concertos with the Colorado and Culver City Symphonies. He was awarded 2nd place in both the 2015 Aspen Music Festival Low Strings Competition, and the 2015 Pasadena Showcase House Instrumental Competition, and 3rd place in 2016 the Jefferson International Young Artists Competition. Will has appeared with the National Arts Centre Orchestra (Canada), the Helsinki Philharmonic, the Royal Philharmonic (UK), the New World Symphony (Miami), and the Las Vegas Philharmonic. He has spent the last four summers on fellowship at the Aspen Music Festival. Will completed the NAC Institute for Orchestral Studies in 2015, and returned to USC for a master’s degree on full scholarship. Will is currently a recipient of the Harriet Halle Woolley Artist’s Fellowship from the Fondation des Etats-Unis to study in Paris with double bass virtuoso François Rabbath and will spend Spring 2019 as Contrebasse solo at the Toulon orchestra.